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<channel>
	<title>REX </title>
	<link>https://rexdelafkaran.com</link>
	<description>REX </description>
	<pubDate>Sun, 16 Mar 2025 03:11:26 +0000</pubDate>
	<generator>https://rexdelafkaran.com</generator>
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		<title>Zoorkhaneh-Man: in three</title>
				
		<link>https://rexdelafkaran.com/Zoorkhaneh-Man-in-three</link>

		<pubDate>Sun, 16 Mar 2025 03:11:26 +0000</pubDate>

		<dc:creator>REX </dc:creator>

		<guid isPermaLink="true">https://rexdelafkaran.com/Zoorkhaneh-Man-in-three</guid>

		<description>Zoorkhaneh-Man: in three

2025three hours, three collaborators

Performance at the School of the Art Institute Thesis Exhibition. 

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		<title>Zoorkhaneh-man</title>
				
		<link>https://rexdelafkaran.com/Zoorkhaneh-man</link>

		<pubDate>Thu, 18 Jul 2024 14:37:15 +0000</pubDate>

		<dc:creator>REX </dc:creator>

		<guid isPermaLink="true">https://rexdelafkaran.com/Zoorkhaneh-man</guid>

		<description>&#38;nbsp; Performed at SATELLITE Art Fair, Brooklyn, New York 2024
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/ea42fa19d22f051da6a94ef2a1141419c6f333aa233318ae0159ce947d8fde77/_DSF4512.jpg" data-mid="214866488" border="0"  src="https://freight.cargo.site/w/1000/i/ea42fa19d22f051da6a94ef2a1141419c6f333aa233318ae0159ce947d8fde77/_DSF4512.jpg" /&#62;&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/8bad60e2d921169369b31552be4a07736411de7e4e6bc8419a4553e4443330c6/_DSF4509.jpg" data-mid="214866486" border="0"  src="https://freight.cargo.site/w/1000/i/8bad60e2d921169369b31552be4a07736411de7e4e6bc8419a4553e4443330c6/_DSF4509.jpg" /&#62;&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/cbd8b13813d8ed7e68fcb862daf218eaea72b36345160cc0891feb0cfb0f05a9/_DSF4515.jpg" data-mid="214866492" border="0"  src="https://freight.cargo.site/w/1000/i/cbd8b13813d8ed7e68fcb862daf218eaea72b36345160cc0891feb0cfb0f05a9/_DSF4515.jpg" /&#62;&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/42e658d4a6703a177e4f1f2f3710fcf7bf1e4d1d662f0ebd85d6713999dfd9f2/_DSF4525.jpg" data-mid="214866501" border="0"  src="https://freight.cargo.site/w/1000/i/42e658d4a6703a177e4f1f2f3710fcf7bf1e4d1d662f0ebd85d6713999dfd9f2/_DSF4525.jpg" /&#62;&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/73c12e94cb208b6f009e33f5fdec67d8429540d221a5bbc273d48d3bfe43c098/_DSF4530.jpg" data-mid="214866507" border="0"  src="https://freight.cargo.site/w/1000/i/73c12e94cb208b6f009e33f5fdec67d8429540d221a5bbc273d48d3bfe43c098/_DSF4530.jpg" /&#62;
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		<title>CONFERENCE</title>
				
		<link>https://rexdelafkaran.com/CONFERENCE</link>

		<pubDate>Fri, 26 Jan 2024 20:56:30 +0000</pubDate>

		<dc:creator>REX </dc:creator>

		<guid isPermaLink="true">https://rexdelafkaran.com/CONFERENCE</guid>

		<description>CONFERENCE2022
Made while an artist in Residence at James Madison University


&#60;img width="2834" height="1592" width_o="2834" height_o="1592" data-src="https://freight.cargo.site/t/original/i/3f7ae20d090e9c6d1bb4e1ff8266106de475862bf85cf1186f7e46faa4bcf25f/Delafkaran_CONFERENCE__5.png" data-mid="202909728" border="0"  src="https://freight.cargo.site/w/1000/i/3f7ae20d090e9c6d1bb4e1ff8266106de475862bf85cf1186f7e46faa4bcf25f/Delafkaran_CONFERENCE__5.png" /&#62;&#60;img width="2856" height="1602" width_o="2856" height_o="1602" data-src="https://freight.cargo.site/t/original/i/dd6c859784dcea40468253b57aeb8f0d95270816c79257576d8cde1b9e92c029/Delafkaran_CONFERENCE__1.png" data-mid="202909724" border="0"  src="https://freight.cargo.site/w/1000/i/dd6c859784dcea40468253b57aeb8f0d95270816c79257576d8cde1b9e92c029/Delafkaran_CONFERENCE__1.png" /&#62;&#60;img width="2858" height="1598" width_o="2858" height_o="1598" data-src="https://freight.cargo.site/t/original/i/7d306b41452a4dcab8c402906b38e77509eb7ee320be4a3e389040b65a7b01bc/Delafkaran_CONFERENCE__2.png" data-mid="202909725" border="0"  src="https://freight.cargo.site/w/1000/i/7d306b41452a4dcab8c402906b38e77509eb7ee320be4a3e389040b65a7b01bc/Delafkaran_CONFERENCE__2.png" /&#62;&#60;img width="2854" height="1592" width_o="2854" height_o="1592" data-src="https://freight.cargo.site/t/original/i/a6306dcf8c968e9d7dbb281da9a532561b36ae1f8a850293608b366ec7093a35/Delafkaran_CONFERENCE__4.png" data-mid="202909727" border="0"  src="https://freight.cargo.site/w/1000/i/a6306dcf8c968e9d7dbb281da9a532561b36ae1f8a850293608b366ec7093a35/Delafkaran_CONFERENCE__4.png" /&#62;&#60;img width="2846" height="1600" width_o="2846" height_o="1600" data-src="https://freight.cargo.site/t/original/i/a594574c22b1633010305171ac1e9dada90cb9230521ef55ef7ce539bfe77adc/Delafkaran_CONFERENCE__3.png" data-mid="202909726" border="0"  src="https://freight.cargo.site/w/1000/i/a594574c22b1633010305171ac1e9dada90cb9230521ef55ef7ce539bfe77adc/Delafkaran_CONFERENCE__3.png" /&#62;



</description>
		
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	<item>
		<title>Heating and Cooling</title>
				
		<link>https://rexdelafkaran.com/Heating-and-Cooling</link>

		<pubDate>Fri, 02 Jun 2023 18:13:15 +0000</pubDate>

		<dc:creator>REX </dc:creator>

		<guid isPermaLink="true">https://rexdelafkaran.com/Heating-and-Cooling</guid>

		<description>Heating and Cooling2022
Performance at Vis Arts Gallery, Rockville, MD

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/88fac1e2cd2bdc117235a5737841e8f2e111942316ca254fe06fdcc1958c398a/Heating-and-Cooling_still.jpg" data-mid="180819168" border="0"  src="https://freight.cargo.site/w/1000/i/88fac1e2cd2bdc117235a5737841e8f2e111942316ca254fe06fdcc1958c398a/Heating-and-Cooling_still.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/0068f9aa1a7ed4138b76fcbaf90ecd058ea230d03fd31921a5c81d3a01766af9/Heating-and-Cooling_still_2.jpg" data-mid="180819156" border="0"  src="https://freight.cargo.site/w/1000/i/0068f9aa1a7ed4138b76fcbaf90ecd058ea230d03fd31921a5c81d3a01766af9/Heating-and-Cooling_still_2.jpg" /&#62;&#60;img width="3672" height="2066" width_o="3672" height_o="2066" data-src="https://freight.cargo.site/t/original/i/eab18a2b2e8d8d9600c5b173f6ffba3c73612d52f34346f041d9e4dd52ec56cb/Heating-and-cooling_still_8.JPG" data-mid="180819167" border="0"  src="https://freight.cargo.site/w/1000/i/eab18a2b2e8d8d9600c5b173f6ffba3c73612d52f34346f041d9e4dd52ec56cb/Heating-and-cooling_still_8.JPG" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/2d069160f50c3c63d927e76cc6dba57f02628ec544e76916f9707c248b84262d/Heating-and-Cooling_still_4.jpg" data-mid="180819159" border="0"  src="https://freight.cargo.site/w/1000/i/2d069160f50c3c63d927e76cc6dba57f02628ec544e76916f9707c248b84262d/Heating-and-Cooling_still_4.jpg" /&#62;&#60;img width="3672" height="2066" width_o="3672" height_o="2066" data-src="https://freight.cargo.site/t/original/i/b3759657ca87d9841d84c4ad24b2b4aae5a682ba7544e1684632203976221fcf/Heating-and-Cooling_still_7.JPG" data-mid="180819163" border="0"  src="https://freight.cargo.site/w/1000/i/b3759657ca87d9841d84c4ad24b2b4aae5a682ba7544e1684632203976221fcf/Heating-and-Cooling_still_7.JPG" /&#62;&#60;img width="3672" height="2066" width_o="3672" height_o="2066" data-src="https://freight.cargo.site/t/original/i/9c64913b6d847fd851be15b025df218960f1e739199eb020ca345a91829f2dd8/Heating-and-cooling_still_6.JPG" data-mid="180819162" border="0"  src="https://freight.cargo.site/w/1000/i/9c64913b6d847fd851be15b025df218960f1e739199eb020ca345a91829f2dd8/Heating-and-cooling_still_6.JPG" /&#62;
</description>
		
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	<item>
		<title>The way you say I miss you</title>
				
		<link>https://rexdelafkaran.com/The-way-you-say-I-miss-you</link>

		<pubDate>Tue, 02 Mar 2021 05:06:36 +0000</pubDate>

		<dc:creator>REX </dc:creator>

		<guid isPermaLink="true">https://rexdelafkaran.com/The-way-you-say-I-miss-you</guid>

		<description>The way you say I miss you2018Performance at Siren Arts in Asbury Park, New Jersey.&#38;nbsp; Dynamic and opposing movements, set on the beach with the sound of the ocean's waves as the score. How does one body long for another? How do you miss something you've never had? How does the body experience the tension of distance? Using landscape, color, sound and dance, the performance moves along with an absent score of bilingual poetry, creating an abstract sculptural duet. The performance embodies illegible moments in a time of tension and uncertainty - capturing longing for a distant home, desire for physical connection, and the mythologies of a culture just beyond reach.

&#60;img width="1000" height="666" width_o="1000" height_o="666" data-src="https://freight.cargo.site/t/original/i/8b23496ae3a2103f43e4f54388223787668b5f775d605b2a8b78e0d27f7ae16f/Delafkaran_the-way-you-say-i-miss-you.jpg" data-mid="100593390" border="0"  src="https://freight.cargo.site/w/1000/i/8b23496ae3a2103f43e4f54388223787668b5f775d605b2a8b78e0d27f7ae16f/Delafkaran_the-way-you-say-i-miss-you.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>A snake in the day and a fish by night</title>
				
		<link>https://rexdelafkaran.com/A-snake-in-the-day-and-a-fish-by-night</link>

		<pubDate>Mon, 01 Mar 2021 18:36:07 +0000</pubDate>

		<dc:creator>REX </dc:creator>

		<guid isPermaLink="true">https://rexdelafkaran.com/A-snake-in-the-day-and-a-fish-by-night</guid>

		<description>A snake in the day and a fish by night
2021
This piece is centered around two sections of Rumi poems, and framed with a numeric system 1-10 (specifically using Farsi numbers). The sections of poem are:

“Your ‘self’ is a snake in the day and a fish at night”

“We are poor ants, collecting love”
This video compiles the performances for the camera: movements using the rhythm of counting in sets of 10 in combination with the poems, and my hands sculpting 30 phallic clay pieces. By combining these two very different gestures, and working within the structure of numbers and text, I see room for intimacy and humor around performing these actions for no audience. The works together show accumulation and physical acts of making as a means to no destination, circuitous and reflective.





&#60;img width="828" height="1792" width_o="828" height_o="1792" data-src="https://freight.cargo.site/t/original/i/df15ecc2f7ca7f566e7f2858c7a9ec427257356bf64afb2f9613dace0af8fbe9/IMG_4300.PNG" data-mid="100592994" border="0"  src="https://freight.cargo.site/w/828/i/df15ecc2f7ca7f566e7f2858c7a9ec427257356bf64afb2f9613dace0af8fbe9/IMG_4300.PNG" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Carpet Crop</title>
				
		<link>https://rexdelafkaran.com/Carpet-Crop</link>

		<pubDate>Mon, 22 Feb 2021 02:58:01 +0000</pubDate>

		<dc:creator>REX </dc:creator>

		<guid isPermaLink="true">https://rexdelafkaran.com/Carpet-Crop</guid>

		<description>Carpet Crop2020Performance for the camera, video, IKEA Persian carpet, cinder block 
11:00 min



In this performance the camera is engaged with as a physically narrow lens, like that of a computer or phone for TikTok, that I as the performer am trying to pose for, and doing so awkwardly but persistently. What if this performance was done for the poet Rumi? The cinder block alludes to the building of this identity in the video, and the carpet alludes to the failure in the performance of that identity. &#38;nbsp;



</description>
		
	</item>
		
		
	<item>
		<title>Bends (ongoing)</title>
				
		<link>https://rexdelafkaran.com/Bends-ongoing</link>

		<pubDate>Mon, 22 Feb 2021 01:15:25 +0000</pubDate>

		<dc:creator>REX </dc:creator>

		<guid isPermaLink="true">https://rexdelafkaran.com/Bends-ongoing</guid>

		<description>Bends (ongoing)


	&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/6e4aee7dc46b7ddc7e39fcc4ec4e41ca2df4f563d5b20eceab051769e3024a44/04_Delafkaran_Bend--red.jpg" data-mid="99674059" border="0"  src="https://freight.cargo.site/w/1000/i/6e4aee7dc46b7ddc7e39fcc4ec4e41ca2df4f563d5b20eceab051769e3024a44/04_Delafkaran_Bend--red.jpg" /&#62;&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/d76c346474c474b6cfa235cab63b2892a1f1603a1eaa96355fbcb18c664793b6/03_Delafkaran_Bend--white.jpg" data-mid="99674067" border="0"  src="https://freight.cargo.site/w/1000/i/d76c346474c474b6cfa235cab63b2892a1f1603a1eaa96355fbcb18c664793b6/03_Delafkaran_Bend--white.jpg" /&#62;
	This is a series of one minute public perfpormances that reiterate the strokes in Farsi script, and hold space for a vulnerable and uncomfortable pause in otherwise absent public space.



&#60;img width="501" height="761" width_o="501" height_o="761" data-src="https://freight.cargo.site/t/original/i/a168c7de0cfedaf565af3fe8ab7d2504320ae8d5a3a328154c0352d7784ab43b/6_Bend--holy-stairs_2018.png" data-mid="99674078" border="0"  src="https://freight.cargo.site/w/501/i/a168c7de0cfedaf565af3fe8ab7d2504320ae8d5a3a328154c0352d7784ab43b/6_Bend--holy-stairs_2018.png" /&#62; 
</description>
		
	</item>
		
		
	<item>
		<title>Demonstrations for Use (for Hafez)</title>
				
		<link>https://rexdelafkaran.com/Demonstrations-for-Use-for-Hafez</link>

		<pubDate>Mon, 22 Feb 2021 00:14:18 +0000</pubDate>

		<dc:creator>REX </dc:creator>

		<guid isPermaLink="true">https://rexdelafkaran.com/Demonstrations-for-Use-for-Hafez</guid>

		<description>Demonstrations for Use (For Hafez)

2020
Performance for the camera, video, IKEA Persian carpet 
03:00 min


In this performance for the camera I explore alternative non functional uses for a carpet, using an imitation Persian carpet from IKEA. The gestures are absurd and demonstrative, and come close to traditional uses but miss them narrowly, change them, or do them wrong. The questions are: how should I use this carpet, how do you use this carpet, how do they use this carpet, how close can I become to this carpet? It is performed with the knowledge of the camera, engaging with it like an individual audience, and imagining that audience being the famous Iranian poet Hafez.


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		<title>Everything I Hold is Wet</title>
				
		<link>https://rexdelafkaran.com/Everything-I-Hold-is-Wet</link>

		<pubDate>Sun, 21 Feb 2021 23:42:46 +0000</pubDate>

		<dc:creator>REX </dc:creator>

		<guid isPermaLink="true">https://rexdelafkaran.com/Everything-I-Hold-is-Wet</guid>

		<description>
	Everything I Hold is Wet



	&#60;img width="3520" height="1980" width_o="3520" height_o="1980" data-src="https://freight.cargo.site/t/original/i/32d551582d886827b97ff079d656d0b59456620571912b473cd44b9592015302/Everything-I-hold-is-wet_action-still.JPG" data-mid="99667355" border="0"  src="https://freight.cargo.site/w/1000/i/32d551582d886827b97ff079d656d0b59456620571912b473cd44b9592015302/Everything-I-hold-is-wet_action-still.JPG" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/8ef15071720273c380db376fa133c4fd9eb407dc8d60c231434747c0ca5792bc/01_Everything-I-Hold-is-Wet_delafkaranRex.jpg" data-mid="100532088" border="0"  src="https://freight.cargo.site/w/1000/i/8ef15071720273c380db376fa133c4fd9eb407dc8d60c231434747c0ca5792bc/01_Everything-I-Hold-is-Wet_delafkaranRex.jpg" /&#62;&#60;img width="3884" height="5371" width_o="3884" height_o="5371" data-src="https://freight.cargo.site/t/original/i/2ac4937129dba090c95433bde2a2f30a4f8f1e940fe475778f9e1b89bcf9b30e/everything-I-hold-is-wet_score_digital.jpg" data-mid="100532087" border="0"  src="https://freight.cargo.site/w/1000/i/2ac4937129dba090c95433bde2a2f30a4f8f1e940fe475778f9e1b89bcf9b30e/everything-I-hold-is-wet_score_digital.jpg" /&#62;
	2020
performance, video, clay, textiles, DSLR camera, tripods
45:00


For this performance I explore, through installation and movement, how to translate personal and historical archives into my body and objects, and ask in what ways do haptic translations simultaneously obscure, deepen and hybridize existing knowledge? 
The performance project consists of an installation comprised of physical representations of research, a significant presence of cameras to emphasize documentation, and an hour long performance that follows an audio visual score that guides the entire work. The work is in response to the Iranian Oral History Archive, produced by the Harvard Library, that is host to interviews with Iranian individuals connected to political movements in Iran, archived and transcribed. 
“The collection consists of the personal accounts of 134 individuals who played major roles in or were eyewitnesses to important political events in Iran from the 1920s to the 1980s. Of these, 118 narratives have been digitized and are available to researchers through this database. The collection provides scholars and practitioners the opportunity to listen to and read the personal accounts of many of Iran's former political leaders as they recall the times and events that shaped their lives and the life of their country.”

LINK TO THE ARCHIVE






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